“I don’t mind if you think you can even feel the color.” I completely
agree: Goethe was a wise man.
Ultramarine blue or carbon black or Indian yellow—which pigment do you feel the
most? This painting week revolves around your pigment: What tones can it
strike? Who is its biggest supporter, who is its adversary? What statement
should it make? Through intensive engagement with your color pigment, you will get to know
it in all its facets and delve deeply into its color effect.
In large-format painting, we will translate all color studies related to your pigment onto canvas.
The color becomes the image idea. Monochromatic or rather wild and loud?
Figurative or free as a bird?